Khaberni - Lebanese artist Ramy Ayach disclosed the details of an experience with Egyptian artist Sherine Abdel Wahab, describing it as one of the most difficult stages in his artistic career, during a television appearance in which he spoke candidly about various artistic and personal issues.
Ramy Ayach said that the ugliest interview he had ever conducted in his life was with Egyptian artist Sherine Abdel Wahab, indicating that if he had to choose one incident to erase from his career, it would be this particular interview.
He pointed out that managing art programs is not limited to singing or media appearances but also requires conversational tools, an understanding of communication methods, and an understanding of the guests' psychologies. He noted that the interview was characterized by confusion and lasted about half an hour without a clear balance in managing the dialogue.
In another context, Ramy Ayach touched on his relationship with artist Fadel Shaker, affirming that there is currently no ongoing dispute between them, and wishing him well and success. He said that the audience still harbors a desire to hear Fadel Shaker's voice, expressing hope that his life stabilizes, and he returns to his family, without going into the details of his private issues.
Ayach added that the attacks he faced from Shaker in the past occurred without clear preliminaries, emphasizing that any misunderstanding could have been resolved through direct communication rather than public escalation.
Ramy Ayach also expressed his opinion of the Sham artist, affirming his appreciation on a human and artistic level, describing him as a talented young man who has introduced a beloved musical genre, but according to him, has not caused a radical transformation in the course of Arabic music.
On the artistic front, Ramy Ayach recently enlivened a public concert as part of the "White Party" events in the New Alamein City, with a significant attendance and notable interaction from the audience, where he performed a selection of his most prominent songs that ranged from Tarab to romantic, responding during the concert to requests from attendees of various Arab nationalities.
